Archives for July 2009
I wanted to do something really meaningful for International Blog Against Racism Week. Something wrenching, profound, well-written. I thought about writing a heartfelt essay about people of color in movies. Then I thought about writing a well-organized essay about people of color in movies. Then I thought about creating a list of well-realized people of color in movies. Then I realized there’s no way to organize any aspect of this little Hollywood clusterfuck, so let’s play it fast and loose, okay? There’s just so many ways to be offensive, why… Read more »
You guys, there’s a TV show called The Vampire Diaries, adapted from a YA series of the same name. I have not read the books and therefore cannot comment, but the show is clearly trying to be the small-screen Twilight (smart move), no matter how hard they have to wrestle it into shape. Basically, this preview clip is five minutes of comedy gold, is what I’m saying. Enjoy our pregnant pauses! My favorite part: They go to high school inside the west wing of a Mondrian, for some reason. (Oh,… Read more »
I’m using my Katrina Ghent face for this. She was sorely missed in this total stinkbomb of a finale. As usual, the official version is up at Tor.com. A spoiler-free list of things I wish had been different: – THE CHARACTERIZATION. The actual, official characterizations were perfectly good. However, every time the show needed a plot twist, someone would get amnesia or aphasia or a concussion and act like an idiot. That’s frustrating. – THE PACE. Let’s not just drop things for weeks at a time, yeah? Also, maybe have… Read more »
My short story “Bespoke” is live at Strange Horizons! This one is close to my heart, as it contains both costumes AND despair.… Read more »
So, a week or two ago I got a Facebook, because my sister told me there were other Genevieve Valentines on Facebook and I might want to snag the little nametag profile whatever. (She’s very thoughtful.) So I made one, so secretly that I did not even tell her. Stealth, right? Somehow, in the last 24 hours, ten people found me. I don’t even know how that happened, that is how little I know about Facebook, but it was…illuminating. I still don’t know what I’m going to do with it… Read more »
You know what makes me angry every time I think about it? Hannibal. (Not the historical figure, though I’m sure he was probably unpleasant depending on where in the Alps you lived.) Silence of the Lambs is a great book. It was also super-successful, and at some point Thomas Harris had a concussion or something and thought, “You know what Silence of the Lambs needs? A sequel!” In terms of conceptual brilliance, this is similar to the day Joel Schumacher woke up and was like, “You know what Batman Forever… Read more »

Recent Work

TV Recaps: Elementary, Season 5

TV Recaps: Victoria, Season 1

TV Recaps: Reign, Season 4

TV Recap: Bates Motel, "Hidden"

Fiction: "Everyone from Themis Sends Letters Home", Clarkesworld

Film: How many movies about grief this year? All of them, Legacy.com

Book Review: HIGH NOON: The Hollywood Blacklist and the Making of an American Classic, NPR.org

Book Review: How to Read a Dress, NPR.org

Nonfiction: A Doom of One's Own, Clarkesworld

Genevieve on Tumblr

  • Whether you will, or no

    I wrote a piece for VICE about consent as fantasy element in the 18th-century “Beauty and the Beast,” and a little about what happens to the shape of the tale when a retelling (say, I dunno, Disney) alters those elements: “How Disney’s ‘Beauty and the Beast’ Became the Darkest Tale of All.“

    An excerpt:

    The most powerful force in Beauty and the Beast isn’t magic, or even love, but consent. Most retellings of Villeneuve’s version are careful to keep it. The Beast is clear that Beauty must know what she’s getting into. (In Sir Arthur Quiller-Couch’s 1910 version, it’s still more explicit: The Beast warns Beauty’s father to “be honest with your daughter. Describe me to her just as I am. Let her be free to choose whether she will come or no…”) Later, the Beast asks Beauty herself if she comes willingly. And that first dinner is marked by the Beast’s deference to her wishes. Beauty’s earliest surprise is how much power she wields. Even in his nightly request that Beauty marry him, he defers. Andrew Lang emphasized the power dynamics in 1889’s Blue Fairy Book:

    “Oh! What shall I say?” cried Beauty, for she was afraid to make the Beast angry by refusing.
    “Say 'yes’ or 'no’ without fear,” he replied.
    “Oh! No, Beast,” said Beauty hastily
    “Since you will not, good-night, Beauty,” he said.
    And she answered, “Good-night, Beast,” very glad to find that her refusal had not provoked him.

    Lang was one of many who used marriage proposals for the nightly request (Jeanne-Marie Leprince de Beaumont’s 1756 retelling was the first), but Villeneuve was under no illusions about the story’s undertones. In her original, Beast asks Beauty to sleep with him. Beauty’s power is the ability to withhold sexual consent.

    [Full article]

    03/20/17

2016 Appearances

Emerald City Comicon
April 7-10, 2016
Seattle, WA

Kent State Wonder Woman Symposium
September 23-24, 2016
Cleveland, OH

New York Comic Con
October 5-9, 2016
New York City

World Fantasy Convention
October 28-30
Columbus, OH